| Saturday 24th
September
09:30 Registration / Coffee
10:00 Welcome
10:15 Session
1A: Scriabin’s Reception
Ákos Windhager, “‘Russian Bartók’ Hungarian reception of
Scriabin in the twentieth century”
Akvilė Stuart, “Unfitting introduction to a tea party? English
critical reactions to Scriabin’s Prometheus, 1913-1923”
Lindsey
Macchiarella, “Scriabin
and Wagner”
Natalya Gorbunova, “Scriabin’s legacy and reputation in the USSR: Classic
or Outsider? Exploring materials from the magazine Soviet Music, 1933-1953”
Session 1B:
Forces and Motion
Ildar Khannanov,
“From unknown Yavorski to mysterious Scriabin”
Inessa
Bazayev, “The
Scriabin tremor and its role in his oeuvre”
Cheong Wai-Ling, “Scriabin’s metric
and rhythmic modernism”
Lance Russell,
“Enigmatic voice-leading
in Scriabin's three pieces, Op. 52”
12:15 Lunch
13:15 Session
2A: Performance and Interpretation
Laura Granero, “Scriabin
plays Scriabin”
Maurizio Baudino & Dario Vannini, “Ecstasy of
colours”
James
Kreiling, Lecture
Recital
Martyna Krymska, “An analytical view of the variations on a
Scriabin Theme for guitar by Aleksander Tansman”
Session 2B:
Function, Scale, Referentiality
Chris
Williams, “The
harmonic multiverse: harmonic qualia and Scriabin”
Keith Salley,
“Functional conflation
and referentiality in Scriabin's early works”
Adrian Childs,
“Transpositional
development, pitch-class invariance, and acoustic signalling in late Scriabin”
Vasilis
Kallis, “On
Scriabin’s transitional period (1903–1908): from harmonic function to scalar quality”
Session
2C: Emotion and Tension in Scriabin
Michael Kaykov, “A new world of harmony; Scriabin’s sixth piano sonata
and the full liberation from diatonicism”
Olena Dyachkova, “‘The will and traditions’: Scriabin's Le Poeme de l’Extase in the performance interpretations of the second half of the 20th - early 21st century”
Mark Johnson, “(Black) mass
and erotic charge: Peter Rowlands's physics in Scriabin's ninth sonata”
Alexander Jakobidze-Gitman,
“Dread and fascination as the primary affects in late
Scriabin”
15:15 Coffee Break
15:30 Session
3A: The Wagnerian Legacy
Ivana Medić, “Scriabin’s and Schoeberg’s approach to total artwork (Gesamtkunstwerk)”
David Haas, “Scriabin’s leitmotivic technique: the progress of a method”
Marina Lupishko, “An ‘artist-hero’: Scriabin’s visions of the
Gesamtkunstwerk in the context of the early Russian avant-garde”
Session
3B: Past and Future: the Late Works
Ezra Bartz, “Between two masses: Scriabin's enigmatic eighth
sonata”
Luigi Verdi,
“From Skrjabin’s Prometheus chord to kaleidocycles and tiling canons”
Christoph
Flamm, “The
future of the past? diatonic harmonic structures in Scriabin's late sonatas”
17:00 Wine reception
17:45 Keynote: Marina Frolova-Walker
19:00 Piano Recital: Anita D’Attillis
Sunday 25th
September
9:30 Session
4A: The Mystery
Ali Yansori,
“Scriabin and
Russian cosmism”
Hannah CJ
McLaughlin, “Scriabin’s
Utopian Mysterium”
Manon Fabre, “‘Complexity
is the path to simplicity’ – about Alexander Scriabin’s five preludes, Op. 74
Mariam
Asatryan, “The
fourth dimension in Scriabin’s experiences”
Session 4B:
Ties and Influences
Jared Redmond,
“Korsakov scales,
the Mystic chord, and Scriabin’s influence on harmony in the 1920s
Soviet avant-garde”
Richard Louis
Gillies, “The
ocean in a grain of salt: Scriabin and the art of fragment”
Simon
Nicholls, “Scriabin
and language”
Wendelin
Bitzan, “Scriabin
and Medtner: latent influences and intercommunities”
Session 4C:
Flight, Dance, & Time
Alec Wood, “Aesthetic revolution
and chiastic temporality in Scriabin”
Areg Mekhakyan, “Sacred dance in the oeuvre of Scriabin: its
Greek and Indian origins”
Kristen Topham, “Crossmodal creation: light
and sonata Op. 30”
Natalie Pang,
“Performing
the flight topic in Scriabin’s fourth sonata”
11:30 Break
12:00 Open public workshop on Music, light, and colour
featuring a light-colour keyboard installation “Insekta”
by Ian Costabile.
12:45 Departure lunch
Posters will be on
display throughout the conference:
Béatrice Isidora Beer, “The evolution of harmonic style in Scriabin's oeuvre”
David Mott, “Neo-Riemannian
structures and musical affect in Scriabin’s Poème languide”
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